I'm sure that I am not the only artist that gets a little warm fuzzy feeling upon seeing their work hung in a gallery with other inspiring works of art. After all, not only can you and your friends and family make a night out of going to the opening reception and a yummy restaurant, but you know you will not be showing said friends and family embarrassingly crappy artwork, because someone else has already validated it by choosing it for this exhibit. (Insecure, moi?) For me that process has been on the back burner for a number of years as I dealt with other issues, but earlier this year I started to peruse the call for art listings and chose two local shows I wanted to submit to. One in Dallas and one in my own town of Fort Worth.
So I did the difficult selection process, and the almost as difficult titling and pricing. Only paintings that were already adequately photographed were in the running. Dimensions were recorded, files were renamed, and the submissions with their artful (one hopes) images were sent off into the world of web. (And for those of us who were artists back in the day, isn't that a wonderful step up from having to get slides made and physically mailing them out?)
Then I planned for my trip to visit my friend in California for her birthday, all the while imagining how excited I would be if my paintings were accepted. I may have even mentally composed a FB post announcing my inclusion in the show.
Well.... after a lovely visit, during which, I assure you, I did check my emails and other essential media via my cell phone, I thought, Hmm, let's just check on those art submissions.
Joy! Two of my recent paintings were selected for the
FWCAC show. Great news, especially as this is a place Edward and I make a point to visit when we are available for their monthly gallery openings. They have several usually themed rooms, and always have some cool and interesting art.
Sorrow! Because the intake of the art happened while I was in California, and I totally missed it.
This cringe-causing statement was in the Congratulations! acceptance message,
If you do not respond with the information above in a timely fashion, we will assume you will not be able to participate. Sigh.
So, here are the two pieces that would have been in the exhibit.
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Swan Lake Haiku acrylic on canvas
Can you see the swan? |
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The Drawing of the Moon acrylic and pen and pencil on canvas
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Both of these paintings have as their base a really interesting painting technique that I have been experimenting with for a while, fluid acrylic pour painting. So many marvelous results can be created with this technique, both as final products and as incredible backgrounds for further work.
So, to avoid this kind of disappointment, (because, given the post title, there must be a moral to this story) always read the details carefully, be aware of when the gallery or institution will be making its decision, and aware of when the intake of art will happen.
{In addendum: I want to acknowledge that I did, early this year, have some paintings in an absolutely lovely local gallery, The
Grackle, accepted in a less formal way than I have talked about here. More about that later.}