How NOT to Exhibit Art in a Show

I'm sure that I am not the only artist that gets a little warm fuzzy feeling upon seeing their work hung in a gallery with other inspiring works of art. After all, not only can you and your friends and family make a night out of going to the opening reception and a yummy restaurant, but you know you will not be showing said friends and family embarrassingly crappy artwork, because someone else has already validated it by choosing it for this exhibit. (Insecure, moi?) For me that process has been on the back burner for a number of years as I dealt with other issues, but earlier this year I started to peruse the call for art listings and chose two local shows I wanted to submit to. One in Dallas and one in my own town of Fort Worth.


So I did the difficult selection process, and the almost as difficult titling and pricing. Only paintings that were already adequately photographed were in the running. Dimensions were recorded, files were renamed, and the submissions with their artful (one hopes) images were sent off into the world of web. (And for those of us who were artists back in the day, isn't that a wonderful step up from having to get slides made and physically mailing them out?)

Then I planned for my trip to visit my friend in California for her birthday, all the while imagining how excited I would be if my paintings were accepted. I may have even mentally composed a FB post announcing my inclusion in the show.

Well.... after a lovely visit, during which, I assure you, I did check my emails and other essential media via my cell phone, I thought, Hmm, let's just check on those art submissions.

Joy! Two of my recent paintings were selected for the FWCAC show. Great news, especially as this is a place Edward and I make a point to visit when we are available for their monthly gallery openings. They have several usually themed rooms, and always have some cool and interesting art. 
Sorrow! Because the intake of the art happened while I was in California, and I totally missed it.

This cringe-causing statement was in the Congratulations! acceptance message, If you do not respond with the information above in a timely fashion, we will assume you will not be able to participate. Sigh.

So, here are the two pieces that would have been in the exhibit.

Swan Lake Haiku   acrylic on canvas


Can you see the swan?

The Drawing of the Moon  acrylic and pen and pencil on canvas

Both of these paintings have as their base a really interesting painting technique that I have been experimenting with for a while, fluid acrylic pour painting. So many marvelous results can be created with this technique, both as final products and as incredible backgrounds for further work.

So, to avoid this kind of disappointment, (because, given the post title, there must be a moral to this story) always read the details carefully, be aware of when the gallery or institution will be making its decision, and aware of when the intake of art will happen.

{In addendum: I want to acknowledge that I did, early this year, have some paintings in an absolutely lovely local gallery, The Grackle, accepted in a less formal way than I have talked about here. More about that later.}

Grieving Mom

It has been a really long time since I wrote a blog article.

I thought about sharing all of my thoughts and processes of grief much earlier, both because I heard and read that writing was a very good tool for healing, and because I thought sharing my feelings and experience might help others who had suffered terrible loss.

Obituary for Ian Patrick Barnard Kent

Ian Patrick Barnard Kent, 27, left this world on Saturday, September 27, 2014, in Garland, Texas.

Ian was born on January 14, 1987 in Fort Worth, where he lived most of his life. Ian was beautiful and talented. He had a good ear for music and a lovely singing voice. He played baseball for many years and had a great throwing arm. He was a cub scout and a boy scout. As a child Ian drew pictures and many cards for his parents and drew and wrote comic strips. In middle school his poem about Dr. Martin Luther King was selected for publication. He played the drums as a teenager, rode a skateboard which he continued to enjoy as an adult, and enjoyed playing disc golf. Ian had a kind heart and was a compassionate pet owner. During the below freezing temperatures the past winter, Ian rescued a stray kitten, “Kitty” whom he loved. Ian was an active member of the recovery community in Kerrville, Texas, where he sponsored other young men in their journey to wellness. As a young adult Ian was surprised to discover a passion and talent for dance and choreography. He taught dance to grade school children in an after school program and performed in dance troops in Fort Worth and in Slippery Rock, Pennsylvania, where he majored in dance at SRU before his back injury. Ian was sensitive and kind, playful and mischievous. He was a loving brother, son and grandson. 

Fused Glass and Arts Goggle Festival

It's time for spring Arts Goggle in Fort Worth's cool near Southside neighborhood tomorrow afternoon and evening. One of the things I have been doing this week to get ready is creating a few more fused glass suncatchers. (Starting in the morning before it's too hot to run the kiln!)

A few of the older suncatchers, available on Etsy

Paris Eiffel Tower suncatcher

Backlit with some sun shining through

Experiments with wire-wrapping, copper inclusion

Since I will have a space outside this time around instead of the large room and wall space I have had for some previous shows, I will be showing mostly jewelry, these suncatchers and a few smaller pieces of art.

I'll be at 300 South Main Plaza Saturday May 19th from 4-10.

Digital Art and More Image Magic

I have continued working with GIMP, my image manipulation program, the last few weeks.

Paris Butterflies Digital Collage by Anita Barnard

This little Paris Butterfly collage was my most ambitious to date, if only because it had more layers than I had used before in a piece and some fidgety placement and sizing and levels of differing transparency that I had to figure out. I am still playing with how to get to the right place for what are probably some pretty basic commands, and making this digital collage was definitely a learning experience for me. And satisfying in that I am happy with how it turned out.

Starry Christmas Night

I had an idea of Santa's sleigh flying through Vincent van Gogh's Starry Night sky. After I found the vintage image of Santa and his sleigh that I wanted, I spent about 200 years clearing out all the background from in between the sleigh runners and all the little reindeer antlers...with a tiny erase brush and the image at 400% most of the time. (Okay, maybe not quite that long, but my hand was stiff and cramping a bit before I was done. There's probably an easier way of removing a background from an image that isn't all white or just one color, and I'd love some guidance if anyone can tell me what that method is). I am a big van Gogh fan, and I liked how this looks.

Vintage Santa over Paris Christmas Card by 13MoonshineDesigns

Having done all the work clening up the Santa image, I then found some great vintage postcards of Paris and Rome over at The Graphics Fairy blog, and had fun positioning Santa to fly past the Eiffel Tower and over the Coliseum.

Vintage Santa in Rome Italy Christmas Card by 13MoonshineDesigns

Vintage Santa over Big Ben London Christmas Card by 13MoonshineDesigns

Many of my new images - and variations, as well as images of my hand cut physical collages and art have been put on some things like cards, mugs and shirts over on Zazzle. Here are some examples.

Vintage Santa over Paris Christmas Ornament by 13MoonshineDesigns

Van Gogh Cypress Artist Christmas Card by 13MoonshineDesigns

Chicago Ferris Wheel Love by 13MoonshineDesigns

Paris Butterflies Art Collage Mouse Pad by 13MoonshineDesigns

House of Hope and Striving Collage

House of Hope and Striving,  Collage by Anita Barnard

Here is another recent collage with a different interepretation of a house. The piece explores the theme of Vincent Van Gogh's yellow house in Arles, France and the great hopes he had of creating an artists' community there. The collage is 8x10 on 11x14 Bristol board paper. It is comprised of found and created papers, text, images, ink and acrylic paint. Two examples of Vincent's handwriting from his correspondences appear in the piece, including the larger word "Tristement" in the roof. Sadness.

I worked on the piece on and off for over a week, then I just let it sit for another week, sometimes taking it out and looking at it, or arranging the last couple of elements on it. Finally I quit asking Edward and my youngest daughter whether I should add the last bits or not and just glued them down. I don't know why some pieces of art feel more certain, and others are dithered over for a long time, but I am happy with the decision I made. (Which is good, because you can always add something later, but it's a lot more problematic to rip something out.)

It was an interesting piece to work on, and sometimes a somewhat melancholy process, as I spent a lot of time thinking about Van Gogh's work and his life while working, as well as about the life and ideas of artists in general.

An archival print or a poster of House of Hope and Striving are available on Zazzle.

The images of wings came from The Graphics Fairy, a great site for vintage images.

Two New Collages - Houses and Birds

Collage with Mixed Media 8x8 inches

I've been having a lot of ideas for some little collages lately. Today I just finished up the images of two from last week. I keep thinking about house and home and all that means and that images of houses can symbolize and bring up emotionally for us. Like some of my other recent collages these two have the house image...and also some birds that crept in, which is not unusual in my collage work lately.

Collage  8x8 inches

 

The two pieces are very different in tone and color, one being more serene and pastoral, closer to a traditional landscape, and the other with more deep color and contrast, and as Edward said, more masculine "plus it has all those numbers." Now I'm not very into numbers, being more of a language and art person, but as a former quilter and sometime woodworker, these images of vintage tape measures and rulers just appealed to me.

Mixed Media Collage on Wood

Small Stories 10 by Anita Barnard

I'm posting some more of my Small Stories series of little collages.

Small Stories 11

These are about 51/4 x 5 1/4 inches x 3/4 inch thick so they can hang on the wall or sit on a shelf.

Small Stories 12

Small Stories 14  (Sorry, this picture is unedited.)

The old English garden urn image is from Karen.

Some of the Small Stories collage series

Linked here.